
Rebekka at the well
Lesser Ury·1908
Historical Context
Rebekka at the Well of 1908, now in the Jewish Museum Berlin, is one of Ury's several works on Old Testament subjects that reflect his deep engagement with Jewish religious and cultural heritage. The story of Rebecca at the well — from Genesis 24, where Abraham's servant meets Rebecca and she offers water to him and his camels, leading to her marriage with Isaac — was a subject painted throughout Western art history. For Ury, a Jewish painter working in an increasingly antisemitic German society, Old Testament subjects carried personal as well as spiritual significance. The Jewish Museum Berlin's holding of this work is entirely appropriate: Ury bequeathed a significant portion of his estate to Jewish causes, and his Hebrew subjects represent an assertion of cultural identity within a modernist pictorial language. The well setting provides him with the water and light effects he excelled at depicting.
Technical Analysis
Ury brings his characteristic sensitivity to light to a biblical narrative setting. The outdoor well scene likely involves bright Mediterranean-style sunlight with dramatic cast shadows. The figure of Rebecca is depicted with the impressionistic dissolution of form in strong outdoor light.
Look Closer
- ◆The well provides a vertical structural element around which the narrative and compositional elements organize
- ◆Strong outdoor light in a biblical setting allows Ury to deploy the same luminous effects as his urban scenes
- ◆Rebecca's figure is animated by the sense of movement implicit in the act of drawing water
- ◆The Jewish Museum context invites us to read this as cultural assertion as well as biblical illustration

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