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Pucci Altarpiece by Pontormo

Pucci Altarpiece

Pontormo·1518

Historical Context

The Pucci Altarpiece, painted by Pontormo in 1518 for the church of San Michele Visdomini in Florence, is widely considered one of the founding works of Mannerism. Commissioned by the Pucci family, the painting depicts the Virgin and Child with saints in a sacra conversazione arrangement, but Pontormo radically subverts the calm, balanced tradition of this format. The figures crowd together in an unstable, agitated composition that breaks decisively with the classical harmony of Andrea del Sarto and Fra Bartolomeo. The painting remains in its original location, making it one of the most important works of art viewable in situ in Florence.

Technical Analysis

The revolutionary composition abandons the stable pyramidal structure of High Renaissance altarpieces, instead crowding figures into a shallow space with no clear spatial logic. The heightened, acidic colors — especially the startling orange-pink robes — and the figures' anxious expressions and agitated gestures create an emotional intensity unprecedented in Florentine altarpiece painting.

See It In Person

San Michele Visdomini

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
214 × 185 cm
Era
Mannerism
Style
Mannerism
Genre
Religious
Location
San Michele Visdomini, Florence
View on museum website →

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Saint John the Evangelist and the Archangel Michael

Pontormo·1519

Cupid and Apollo by Pontormo

Cupid and Apollo

Pontormo·1513

Pharaoh with his Butler and Baker by Pontormo

Pharaoh with his Butler and Baker

Pontormo·1515

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Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

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