Tríptico de la Flagelación

The Maestro de los Luna's Tríptico de la Flagelación in the Prado presents the Flagellation of Christ — one of the central stations of the Passion, in which soldiers scourge the bound Christ — as the central panel of a triptych, with flanking panels likely depicting related Passion scenes or saints. The Flagellation was a subject of particular devotional intensity in fifteenth-century Spain, where Passion piety encouraged direct contemplation of Christ's physical suffering. The anonymous master, identified with the Luna family's patronage, worked in the Hispano-Flemish tradition that absorbed northern European realism about suffering into the context of intense Spanish Catholic devotion.

Christ is bound to a column at the triptych's center, soldiers on either side. The Hispano-Flemish master renders the bound figure's suffering with physical directness while maintaining the compositional clarity that serves the devotional program. The triptych format frames the central violence with the structured dignity of the altarpiece tradition.