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Tickling by José Malhoa

Tickling

José Malhoa·1904

Historical Context

'Tickling,' painted by Malhoa in 1904, belongs to his series of genre scenes depicting Portuguese popular life with an unsentimental directness that made him both beloved and occasionally controversial. The subject—playful physical interaction between figures—belonged to the innocent end of genre painting, suggesting the warmth and spontaneity of popular leisure. Malhoa had built his reputation on images of rural and coastal Portuguese life, and works like this one extended that project to domestic leisure. The Museu Nacional de Belas Artes holds the work in its survey of Portuguese naturalism.

Technical Analysis

The genre scene's success depends on convincing figural interaction—the poses and expressions must communicate the playful subject without theatrical exaggeration. Malhoa's assured naturalist technique renders the figures' physical engagement with the same directness he applied to his most celebrated social subjects.

See It In Person

Museu Nacional de Belas Artes

Rio de Janeiro, Brazil

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
Museu Nacional de Belas Artes, Rio de Janeiro
View on museum website →

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Decorative figure

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Portrait of Júlio de Menezes

José Malhoa·1900

Roque Gameiro by José Malhoa

Roque Gameiro

José Malhoa·1904

Portrait of J. S. Bach by José Malhoa

Portrait of J. S. Bach

José Malhoa·1903

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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