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The Gate of St. Cloud, Paris by Albert Marquet

The Gate of St. Cloud, Paris

Albert Marquet·1904

Historical Context

Despite its 'Religious' genre classification, 'The Gate of St. Cloud, Paris,' painted by Marquet in 1904, is a Paris cityscape—the historic entrance gate to the park of Saint-Cloud west of the city. Saint-Cloud's park, laid out by Le Nôtre for Louis XIV, was accessible to Parisians by rail and tram, and its formal architecture—including historic gates and grand allées—made it a distinctive landscape subject different from the urban Seine views that dominated Marquet's city work. The Cleveland Museum of Art holds this early example of his excursion beyond Paris's central fabric.

Technical Analysis

Marquet applies his characteristic reduction of form to the architectural subject, rendering the gate's stone elements as simplified planes with suppressed detail. The tree-lined park setting offers the interplay of geometry and organic form that he found productive in his Paris urban views.

See It In Person

Cleveland Museum of Art

Cleveland, United States

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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The Port by Albert Marquet

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Snowscene at Porte de Versailles

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An Alley in the Jardin du Luxembourg by Albert Marquet

An Alley in the Jardin du Luxembourg

Albert Marquet·1901

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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