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La Rochelle, Leaving the harbourg by Paul Signac

La Rochelle, Leaving the harbourg

Paul Signac·1912

Historical Context

La Rochelle, the Protestant stronghold and historic Atlantic port on France's western coast, became an important subject for Signac in his watercolor and oil campaigns along the French Atlantic. His La Rochelle harbor views capture the distinctive maritime character of the town: the medieval towers flanking the old harbor entrance, the mix of working and pleasure boats, and the northern Atlantic light quite different from his Mediterranean subjects. The departure scene — vessels leaving the harbor — was among the most dynamic maritime subjects, capturing that transitional moment when boat and crew move from shelter into open water.

Technical Analysis

The harbor towers frame the composition, their medieval stone rendered in warm ochres and greys against the cooler sky and water. Departing vessels are painted with sufficient specificity of rigging and hull to identify their type, while their reflections in the harbor water give Signac the optical mixture problem he found most technically rewarding.

See It In Person

Johannesburg Art Gallery

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Quick Facts

Medium
oil paint
Era
Post-Impressionism
Style
Pointillism
Genre
Landscape
Location
Johannesburg Art Gallery,
View on museum website →

More by Paul Signac

Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885