Triptych
Historical Context
This triptych by Paolo di Giovanni Fei exemplifies the devotional panel painting tradition of late Trecento Siena. Active from the 1370s through the early fifteenth century, Fei was a prominent member of the Sienese school who maintained the city's characteristic emphasis on decorative elegance and emotional warmth. The triptych format served both private devotion and small chapel settings, allowing multiple sacred narratives to unfold across its hinged wings.
Technical Analysis
Painted in egg tempera on wooden panels with tooled gold ground, the triptych displays Fei's refined handling of drapery folds and delicate facial modeling. The ornamental punchwork in the gilded areas reflects the sophisticated goldsmithing traditions that distinguished Sienese panel painting.
See It In Person
More by Paolo di Giovanni Fei
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The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of the Annunciation
Paolo di Giovanni Fei·c. 1400/1405
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Tavoletta di Biccherna: The Camarlingo Niccolò di Leonardo della Gazaia, His Scrivener and Three taxpayers
Paolo di Giovanni Fei·1402
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Saint Catherine of Alexandria
Paolo di Giovanni Fei·1405
_(attributed_to_studio_of)_-_The_Camarlingo_Niccol%C3%B2_di_Leonardo_della_Gazaia%2C_His_Scrivener_and_Three_Taxpayers_(Sienese_account_-_414-1892_-_Victoria_and_Albert_Museum.jpg&width=600)
The Camarlingo Niccolò di Leonardo della Gazaia, His Scrivener and Three Taxpayers (Sienese account book cover)
Paolo di Giovanni Fei·1402



