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Fresh logging by Ivan Shishkin

Fresh logging

Ivan Shishkin·1900

Historical Context

Logging — the commercial extraction of Russian forest — gave Shishkin one of his most charged subjects, combining his love of the forest with an honest acknowledgement of the economic forces transforming it. Fresh logging shows the immediate aftermath of tree-felling: stumps still white from the saw, branches and debris scattered across ground not yet recovered, a wound in the landscape as yet unhealed. Shishkin made no explicit protest; he observed. But the painting's presence at the Perm Art Museum alongside his other works places it in context: here is what the forest looks like when commerce has passed through it.

Technical Analysis

The compositional disruption of a logged area — stumps of varying heights, scattered slash, disordered ground — required Shishkin to adapt the more regular structures of his mature woodland interiors. The pale cut wood of fresh stumps provides sharp tonal contrasts against shadowed forest debris.

See It In Person

Perm Art Museum

Perm,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Perm Art Museum, Perm
View on museum website →

More by Ivan Shishkin

Winter in the forest (Frost) by Ivan Shishkin

Winter in the forest (Frost)

Ivan Shishkin·1877

Coniferous forest by Ivan Shishkin

Coniferous forest

Ivan Shishkin·1873

Rich log (Fir forest on Kama) by Ivan Shishkin

Rich log (Fir forest on Kama)

Ivan Shishkin·1877

Copse by Ivan Shishkin

Copse

Ivan Shishkin·1872

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885