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Drunkenness of Noah by Giovanni Bellini

Drunkenness of Noah

Giovanni Bellini·1515

Historical Context

Giovanni Bellini painted the Drunkenness of Noah around 1515, near the end of his remarkably long career that had shaped Venetian painting for over six decades. The subject, drawn from Genesis, depicts Noah's sons discovering their father in an inebriated state after the Flood — a scene that carried moral implications about filial respect and the consequences of excess. This late work demonstrates that Bellini, even in his eighties, remained receptive to new artistic developments, absorbing influences from his own former pupils Giorgione and Titian in his handling of atmosphere and color.

Technical Analysis

The painting shows Bellini's late adoption of the softer, more atmospheric approach pioneered by Giorgione, with figures integrated into the landscape through warm tonal harmonies. The rich, saturated colors and broader brushwork mark a departure from the crystalline precision of Bellini's earlier work, reflecting the revolution in Venetian painting that his own teaching had made possible.

See It In Person

Musée des Beaux-Arts et d'Archéologie de Besançon

Besançon, France

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Quick Facts

Medium
Oil paint
Dimensions
103 × 157 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Musée des Beaux-Arts et d'Archéologie de Besançon, Besançon
View on museum website →

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Virgin and Child by Giovanni Bellini

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Giovanni Bellini·16th century or later

Madonna and Child by Giovanni Bellini

Madonna and Child

Giovanni Bellini·ca. 1510

Portrait of a Young Man in Red by Giovanni Bellini

Portrait of a Young Man in Red

Giovanni Bellini·c. 1480

Portrait of a Young Man by Giovanni Bellini

Portrait of a Young Man

Giovanni Bellini·c. 1490

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Head of Saint John the Baptist on a Charger by Aelbert Bouts

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515