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La Grande Jatte (Study VII) by Georges Seurat

La Grande Jatte (Study VII)

Georges Seurat·1884

Historical Context

La Grande Jatte Study VII is among the later full-colour oil studies Seurat made before completing his monumental final canvas (now in the Art Institute of Chicago). The studies for La Grande Jatte are among the most methodically produced preparatory works in the history of French painting — Seurat visited the island on the Seine throughout 1884–85, making observations and small colour studies before assembling the final composition. By Study VII, the core formal elements were established, and Seurat was testing his emerging divisionist colour system.

Technical Analysis

Small dots and dashes of contrasting colour are applied systematically across the surface — the technique Seurat was developing toward what critics would call Pointillism. Complementary colour pairs (orange and blue, green and red) vibrate optically when viewed at distance.

See It In Person

Kunsthaus Zürich

Zurich, Switzerland

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Quick Facts

Medium
panel
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
Kunsthaus Zürich, Zurich
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View of Le Crotoy from Upstream by Georges Seurat

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Georges Seurat·1889

Young Woman Powdering Herself (Study) by Georges Seurat

Young Woman Powdering Herself (Study)

Georges Seurat·1889

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