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La Commode rouge by Édouard Vuillard

La Commode rouge

Édouard Vuillard·1892

Historical Context

La Commode rouge depicts a red chest of drawers in a domestic interior, and exemplifies Vuillard's ability to make furniture and decorative objects into starring subjects equal in pictorial weight to any human figure. The commode, likely in the apartment of his lifelong companion Lucy Hessel or in his own home, becomes through Vuillard's handling an almost animate presence — its strong colour and imposing mass dominating the confined room around it. Throughout his career Vuillard insisted on the equal pictorial dignity of all elements within his domestic scenes, a democratic vision of objects and persons sharing the same visual world.

Technical Analysis

The red commode provides a strong chromatic anchor against the surrounding neutral tones of wall and floor. Vuillard constructs its surface with relatively flat, even brushwork that preserves the sense of an obdurate physical object while integrating it into the overall surface pattern of the composition.

See It In Person

Musée d'Orsay

Paris, France

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
Musée d'Orsay, Paris
View on museum website →

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Self-portrait, face study

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Garden at Vaucresson by Édouard Vuillard

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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