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Bord de mer en Bretagne, Saint-Briac by Émile Bernard

Bord de mer en Bretagne, Saint-Briac

Émile Bernard·1888

Historical Context

Émile Bernard's Bord de mer en Bretagne, Saint-Briac (Breton Seashore, Saint-Briac, 1888) was painted at the Breton resort of Saint-Briac-sur-Mer — a village between Dinard and Saint-Malo that was a gathering point for progressive artists in the 1880s, visited by Whistler, Sargent, and members of the Pont-Aven circle. Bernard's seashore subject at Saint-Briac provides an opportunity to observe his Synthetist approach applied to a pure landscape rather than figure subject — the formal simplification of coastal forms into color areas and outlines without the humanist content of his Breton peasant subjects.

Technical Analysis

Bernard applies his developing Synthetist language to the seashore subject: the coastal forms — sea, rock, cliff, sand — simplified into bold color areas bounded by decisive outlines. His palette for the Breton coast is characteristically cool — the blue-grey of the Atlantic, the ochre-brown of Breton rock, the pale sand — applied in the flat, decisive areas that defined his approach. The cloisonniste technique creates a semi-abstract quality appropriate to the landscape's fundamental geometric simplicity.

See It In Person

Brest’s Museum of Fine Arts

Brest,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Brest’s Museum of Fine Arts, Brest
View on museum website →

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Madeleine in the Bois d'Amour by Émile Bernard

Madeleine in the Bois d'Amour

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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