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Portrait of Simon George of Cornwall by Hans Holbein the Younger

Portrait of Simon George of Cornwall

Hans Holbein the Younger·1537

Historical Context

Portrait of Simon George of Cornwall, painted around 1537 and now in the Städel Museum Frankfurt, is among Holbein's most formally inventive English portraits. The tondo format — round panel, unusual in English portraiture — frames the young Cornish gentleman within a circular composition that echoes the medal portrait tradition while George holds a pink (possibly a betrothal token). The inscription and the format suggest the portrait may have been made to mark an engagement or marriage. Holbein's adoption of the tondo format for a royal court portrait demonstrates his willingness to adapt Italian and medallic conventions to English tastes — combining the intimate format of a keepsake with the psychological authority of a full-scale portrait.

Technical Analysis

The sitter holds the carnation with delicate precision, while Holbein renders his features with characteristic analytical clarity. The green background provides a restful contrast to the dark costume.

See It In Person

Städel Museum

Frankfurt, Germany

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
38.8 × 38.8 cm
Era
Mannerism
Style
Northern Mannerism
Genre
Portrait
Location
Städel Museum, Frankfurt
View on museum website →

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Margaret Roper (Margaret More, 1505–1544) by Hans Holbein the Younger

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Hans Holbein the Younger·1535–36

Lady Rich (Elizabeth Jenks, died 1558) by Hans Holbein the Younger

Lady Rich (Elizabeth Jenks, died 1558)

Hans Holbein the Younger·ca. 1540

Portrait of a Man, Said to Be Arnold Franz by Hans Holbein the Younger

Portrait of a Man, Said to Be Arnold Franz

Hans Holbein the Younger·1600

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