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Samson and Delilah by Max Liebermann

Samson and Delilah

Max Liebermann·1902

Historical Context

Liebermann's 'Samson and Delilah,' painted in 1902, is among his rare engagements with Old Testament narrative—a subject he approached with the same unflinching directness he brought to his social genre paintings. The Samson story, with its themes of betrayal, strength, and vulnerability, had a long visual history from Rubens to Rembrandt, and Liebermann's version brought the subject into the atmosphere of his own time—less theatrical spectacle than psychological encounter. The Städel Museum holds the work in its important collection of German modern painting.

Technical Analysis

Liebermann's vigorous brushwork translates the dramatic physical narrative into paint with characteristic directness—the contrast between Samson's powerful but vulnerable body and Delilah's composed, calculating presence conveyed through pose and the directional energy of applied paint.

See It In Person

Städel Museum

Frankfurt, Germany

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Städel Museum, Frankfurt
View on museum website →

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Amsterdam Orphan Girls (study)

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The Flax Barn at Laren by Max Liebermann

The Flax Barn at Laren

Max Liebermann·1887

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885