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Ecce homo by Ludovico Mazzolino

Ecce homo

Ludovico Mazzolino·1524

Historical Context

Ludovico Mazzolino's Ecce Homo belongs to his extensive series of small-format Passion subjects produced for Ferrara's private collectors. The 'Behold the Man' moment, when Pilate presents the crowned and mocked Christ to the crowd, was a subject that concentrated the Passion's theological and emotional content into a single confrontational image. Mazzolino's characteristic small format, dense figure composition, and brilliant color contrasts give his Ecce Homo an intensity disproportionate to its size, the compressed space forcing the viewer into intimate psychological proximity with the suffering Christ and his tormentors.

Technical Analysis

Mazzolino's characteristically crowded composition fills the scene with agitated figures. His bright palette and meticulous detail work create the jewel-like quality typical of his small narrative panels.

See It In Person

Condé Museum

Chantilly, France

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Quick Facts

Medium
Oil on panel
Dimensions
55 × 43 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Condé Museum, Chantilly
View on museum website →

More by Ludovico Mazzolino

The Lamentation by Ludovico Mazzolino

The Lamentation

Ludovico Mazzolino·ca. 1514–16

The Nativity by Ludovico Mazzolino

The Nativity

Ludovico Mazzolino·1507

Triptychon, Maria mit Kind, Antonius Eremita, Maria Magdalena by Ludovico Mazzolino

Triptychon, Maria mit Kind, Antonius Eremita, Maria Magdalena

Ludovico Mazzolino·1509

The Holy Family by Ludovico Mazzolino

The Holy Family

Ludovico Mazzolino·1516

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Virgin and Child with the Young Saint John the Baptist

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