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Messieurs et Mesdames Josse et Gaston Bernheim-Jeune au 107, avenue Henri Martin by Édouard Vuillard

Messieurs et Mesdames Josse et Gaston Bernheim-Jeune au 107, avenue Henri Martin

Édouard Vuillard·1905

Historical Context

Painted in 1905, this work records the prominent art dealers Josse and Gaston Bernheim-Jeune in their private apartment on avenue Henri Martin in Paris's 16th arrondissement. The Bernheim-Jeune gallery was central to French modern art, representing Bonnard, Vuillard, and later Matisse. Vuillard maintained a close relationship with the family and painted their domestic interiors and family groups multiple times over decades. This group portrait exemplifies his mature practice of depicting the bourgeois interiors of the Parisian cultural elite, where art collecting and domestic life interpenetrate.

Technical Analysis

Vuillard integrates the figures of the Bernheim brothers and their wives into the richly decorated apartment interior, where the accumulated furniture, wallpapers, and artworks on the walls create a layered visual field. He uses cardboard's absorbency to achieve a mat, fresco-like surface that equalizes figure and setting.

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Quick Facts

Medium
cardboard
Era
Post-Impressionism
Style
Nabis
Genre
Portrait
Location
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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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