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Sister of Charity by Paul Gauguin

Sister of Charity

Paul Gauguin·1902

Historical Context

Sister of Charity was painted by Gauguin during his second Tahitian stay and depicts a Catholic nun — one of the religious missionaries who were transforming Tahitian culture under French colonial administration. Gauguin had a deeply ambivalent relationship with the French Catholic mission in Polynesia: he was baptised Catholic and occasionally drew on Christian iconography, but he resented the missionaries' destruction of traditional Polynesian religious practice, which he documented in his notebook 'Ancien Culte Mahorie.' The Sister of Charity represents the colonial presence he was simultaneously part of and at war with.

Technical Analysis

The nun's white habit provides a striking formal element — a large light mass in the composition. The figure is rendered with Gauguin's simplified volumetric approach to figure painting. The background setting, likely a Tahitian garden or interior, is treated as a flat colour field consistent with his mature Polynesian manner.

See It In Person

McNay Art Museum

San Antonio, United States

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Allegory
Location
McNay Art Museum, San Antonio
View on museum website →

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In the Waves (Dans les Vagues)

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The Offering by Paul Gauguin

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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