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Marriage A-la-Mode: 5. The Bagnio by William Hogarth

Marriage A-la-Mode: 5. The Bagnio

William Hogarth·1743

Historical Context

Hogarth's Marriage A-la-Mode: 5. The Bagnio depicts the catastrophic confrontation when the Countess's husband discovers her with her lover Silvertongue in a fashionable bathhouse, and the Earl — attempting to defend his honor with a sword — is mortally wounded by the more experienced fighter. The scene combines sexual scandal, class conflict, and murder in a single moment whose consequences will bring the serial narrative to its double conclusion. Hogarth's depiction of the dying Earl — his wound fatal, his anger futile, his honor destroyed — creates surprising pathos within the satirical framework.

Technical Analysis

Hogarth renders the violent scene with dramatic nocturnal lighting and the precise narrative detail that characterizes the series. The carefully observed expressions of shock, guilt, and desperation create a powerful moment of theatrical drama within the moral narrative.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
70.5 × 90.8 cm
Era
Rococo
Style
English Rococo
Genre
Genre
Location
National Gallery, London
View on museum website →

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The Wedding of Stephen Beckingham and Mary Cox by William Hogarth

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A Scene from The Beggar's Opera by William Hogarth

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Sigismunda mourning over the Heart of Guiscardo by William Hogarth

Sigismunda mourning over the Heart of Guiscardo

William Hogarth·1759

The March of the Guards to Finchley by William Hogarth

The March of the Guards to Finchley

William Hogarth·1750

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Arcadian Landscape with Figures by Alessandro Magnasco

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