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Emperor Charlemagne by Albrecht Dürer

Emperor Charlemagne

Albrecht Dürer·1511

Historical Context

Emperor Charlemagne, painted in 1511-1513 for the Imperial Regalia storehouse in Nuremberg, is a monumental image of the first Holy Roman Emperor that combines historical portraiture with symbolic representation of imperial authority. Charlemagne's distinctive features — the long, white beard and regal bearing — are rendered in the traditional manner of historical portraiture, combining the conventions of medieval emperor imagery with Renaissance pictorial intelligence. Dürer painted both Charlemagne and Sigismund as imperial icons for the room in Nuremberg where the imperial crown jewels were stored and displayed. The works served a propaganda function: asserting Nuremberg's special status as the custodian of imperial legitimacy through its possession of the regalia.

Technical Analysis

Charlemagne is depicted in the imperial coronation robes with crown, sword, and orb. Dürer's rendering of the richly embroidered mantle and precious metals demonstrates his capacity for decorative detail within a monumental format.

See It In Person

Germanisches Nationalmuseum

Nuremberg, Germany

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
215 × 115 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Germanisches Nationalmuseum, Nuremberg
View on museum website →

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Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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