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Annunciation with Saints by Lorenzo Veneziano

Annunciation with Saints

Lorenzo Veneziano·1371

Historical Context

Lorenzo Veneziano's Annunciation with Saints from 1371, now in the Gallerie dell'Accademia, is a major work by the leading Venetian painter of the mid-fourteenth century. Lorenzo played a pivotal role in transforming Venetian painting from its strongly Byzantine foundations toward a more naturalistic Gothic idiom influenced by developments in Bologna and Padua. The Annunciation was among the most frequently commissioned subjects for Gothic altarpieces, celebrating the moment of the Incarnation.

Technical Analysis

Executed in tempera and gold on panel in a multi-compartment Gothic altarpiece format, the painting combines Venetian richness of color with the new spatial awareness entering from mainland Italy. The ornate gilded frame with pointed Gothic arches and the lavish use of tooled gold and costly pigments reflect the wealth of Venetian patronage.

See It In Person

Gallerie dell'Accademia

Venice, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
111 × 54 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Gallerie dell'Accademia, Venice
View on museum website →

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Scenes from the lives of the apostles Petrus and Paulus by Lorenzo Veneziano

Scenes from the lives of the apostles Petrus and Paulus

Lorenzo Veneziano·1400

Annunciation Polyptych by Lorenzo Veneziano

Annunciation Polyptych

Lorenzo Veneziano·1400

The Virgin and Child and the Crucifixion with Six Saints by Lorenzo Veneziano

The Virgin and Child and the Crucifixion with Six Saints

Lorenzo Veneziano·1325

Madonna and Child by Lorenzo Veneziano

Madonna and Child

Lorenzo Veneziano·1372

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295