
Portrait of the Duke of Wellington
Francisco Goya·1812
Historical Context
Goya painted Wellington in August 1812, shortly after the British general's victory at the Battle of Salamanca liberated Madrid from Napoleonic forces. Wellington sat for Goya in a hurried session, and the portrait was reworked multiple times — X-rays reveal an earlier composition beneath. The Duke wears civilian dress rather than full military regalia, lending the portrait an unusual informality. Goya initially gave him more decorations, adding and removing medals as Wellington's honors accumulated. The painting was stolen from the National Gallery in 1961 by Kempton Bunton, a retired bus driver protesting television license fees, and recovered four years later — one of the most famous art thefts of the twentieth century.
Technical Analysis
Goya renders Wellington with characteristic directness, the general's thin, aquiline features painted with economical precision against a dark background. The portrait combines military authority with the unflattering honesty that distinguishes Goya's best portraiture.
Look Closer
- ◆Notice the painting's complex history visible in its X-ray: multiple compositional layers are embedded beneath the current surface, including an earlier figure beneath Wellington.
- ◆Look at the civilian dress: instead of full military regalia, Wellington wears informal attire that gives the portrait an unusual directness — more personal encounter than official celebration.
- ◆Observe the medals that were added and changed over successive sittings: the decorations visible today represent Wellington's accumulated honors, not those he held on any single day.
- ◆Find the theft story embedded in the canvas: this specific painting was stolen from the National Gallery in 1961 and used to demand abolition of television license fees — the most eccentric ransom demand in art history.

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