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The Resurrection by Maestro Bartolomé

The Resurrection

Maestro Bartolomé·1488

Historical Context

Maestro Bartolomé painted this Resurrection around 1488 as the climactic scene of his Ciudad Rodrigo altarpiece cycle. The risen Christ emerging from the tomb while soldiers sleep represents the triumph over death that gives meaning to the preceding Passion narrative. Spanish painters treated this subject with particular devotional intensity. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting.

Technical Analysis

Oil on panel with the radiant risen Christ contrasting with the sleeping guards below. The composition follows standard Resurrection iconography rendered in the Hispano-Flemish technique.

See It In Person

University of Arizona Museum of Art

Tucson, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
University of Arizona Museum of Art, Tucson
View on museum website →

More by Maestro Bartolomé

The Virgin Nursing the Child by Maestro Bartolomé

The Virgin Nursing the Child

Maestro Bartolomé·1490

The Entry into Jerusalem by Maestro Bartolomé

The Entry into Jerusalem

Maestro Bartolomé·1488

Supper in the House of Simon by Maestro Bartolomé

Supper in the House of Simon

Maestro Bartolomé·1488

Chaos by Maestro Bartolomé

Chaos

Maestro Bartolomé·1493

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Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450