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The Age of Innocence by Joshua Reynolds

The Age of Innocence

Joshua Reynolds·1788

Historical Context

Reynolds's The Age of Innocence from around 1788, in the Tate, depicts a young girl seated in a landscape with an expression of unselfconscious purity. The painting became one of the most popular and widely reproduced images in British art, embodying the Romantic cult of childhood innocence that Rousseau had promoted. Reynolds's fancy pictures of children, painted in his later years, represent a softer, more sentimental side of an artist primarily known for his intellectual grand-manner portraits.

Technical Analysis

Reynolds renders the child's face with soft, blended brushwork that creates an effect of idealized innocence. The warm palette and the atmospheric landscape background create a sentimental mood that contrasts with the more formal technique of his adult portraits.

Look Closer

  • ◆Notice the child's wide-open, unselfconscious gaze — Reynolds refuses to impose adult dignity on this young subject
  • ◆Look at the warm, halo-like atmospheric glow around the figure that Reynolds creates through soft edges and luminous background
  • ◆Observe the simple, uncluttered composition — nothing competes with the child's face and expression
  • ◆Find the soft, blended brushwork in the skin — Reynolds uses his most delicate technique for children's faces
  • ◆Notice the Romantic sentimentality of the mood — this became one of the most widely reproduced images in British art precisely because of this quality

See It In Person

Tate

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
76.5 × 63.8 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Landscape
Location
Tate, London
View on museum website →

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The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

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View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

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Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770