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The Poachers by James Arthur O'Connor

The Poachers

James Arthur O'Connor·1835

Historical Context

James Arthur O'Connor painted "The Poachers" in 1835, a landscape with figures that reflects the social tensions of rural Ireland and Britain in the 1830s. O'Connor, the leading Irish landscape painter of the early 19th century, combined topographical observation with the atmospheric effects of the Romantic landscape tradition. Poaching was a serious social issue, blurring the lines between traditional rural rights and modern property law.

Technical Analysis

O'Connor renders the nocturnal landscape with atmospheric sensitivity, the figures of the poachers barely visible in the dark woodland. The restricted palette and the careful handling of moonlight through trees create a mood of secrecy and tension.

See It In Person

National Gallery of Ireland

Dublin, Ireland

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
55.5 × 70.5 cm
Era
Romanticism
Style
Romanticism
Genre
Landscape
Location
National Gallery of Ireland, Dublin
View on museum website →

More by James Arthur O'Connor

Town of Westport and Clew Bay, County Mayo by James Arthur O'Connor

Town of Westport and Clew Bay, County Mayo

James Arthur O'Connor·1825

Landscape: Tower on the Bank of a River with Two Men Fishing by James Arthur O'Connor

Landscape: Tower on the Bank of a River with Two Men Fishing

James Arthur O'Connor·1810-1840

Waterfall by James Arthur O'Connor

Waterfall

James Arthur O'Connor·1838

Landscape with trees in foreground and distant hills by James Arthur O'Connor

Landscape with trees in foreground and distant hills

James Arthur O'Connor·1840

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836