
Portrait of Charles Coote, 1st Earl of Bellamont (1738-1800), in Robes of the Order of the Bath
Joshua Reynolds·1773
Historical Context
Reynolds painted Charles Coote, 1st Earl of Bellamont, around 1773, in the elaborate robes of the Order of the Bath, creating one of his most spectacular full-length portraits. The sweeping red robes and the earl's commanding pose demonstrate Reynolds's mastery of the grand manner he had absorbed during his years in Italy (1749-52). Coote was an Anglo-Irish peer and military officer. Now in the National Gallery of Ireland, the painting represents the theatrical grandeur that Reynolds brought to aristocratic portraiture, transforming his sitters into figures of almost mythological stature.
Technical Analysis
The brilliant scarlet robes dominate the composition, painted with rich impasto and masterful handling of satin and ermine textures. Reynolds employs a classical column and drapery as props, with dramatic lighting emphasizing the sitter's commanding presence.
Look Closer
- ◆Notice the sweeping scarlet robes of the Order of the Bath that dominate the entire composition
- ◆Look at the ermine and satin textures — Reynolds painting different materials with different touches of impasto
- ◆Observe the classical column and drapery setting the portrait in a space of Roman grandeur rather than a specific room
- ◆Find the theatrical pose that projects Reynolds's ideal of portraiture as a form of classical history painting
- ◆Notice the compositional confidence — this is among his most monumental works, a complete assertion of the Grand Style
See It In Person
More by Joshua Reynolds
_with_Inigo_Jones_and_Charles_Blair_-_MET_DP213052.jpg&width=600)
The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair
Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces
Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt.
Joshua Reynolds·1788
_and_Martha_Neate_(1741%E2%80%93after_1795)_with_His_Tutor%2C_Thomas_Needham_MET_DP168995.jpg&width=600)
Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham
Joshua Reynolds·1748



