Caricature of Thomas Brudenell, Baron Bruce, the Hon. John Ward, Joseph Leeson, later 2nd Earl of Milltown, and Joseph Henry of Shafford
Joshua Reynolds·1751
Historical Context
This 1751 caricature group by Reynolds shows Thomas Brudenell, the Hon. John Ward, Joseph Leeson, and Joseph Henry gathered in the informal, satirical manner Reynolds adopted for his Italian sojourn portraits. Like its companion piece, it documents the social world of the British Grand Tour — young men of privilege circulating through Rome and Naples, cultivating friendships that would later translate into patronage. Reynolds's willingness to produce such informal works alongside grand manner portraits reveals his social intelligence and his understanding of how networks of personal connection underpinned artistic careers in eighteenth-century Britain.
Technical Analysis
Loosely painted with characteristic bravura, the caricature figures are enlivened by exaggerated features and informal poses. Reynolds maintains underlying compositional coherence while allowing individual characterizations to dominate. The handling is lighter and more gestural than his formal portraits of the same period.
Look Closer
- ◆Notice the exaggerated features of the four sitters — this is a caricature, so Reynolds has amplified characteristic traits for comic effect.
- ◆Look at the grouped composition placing the four Grand Tour companions in conversation, echoing Italian caricature traditions.
- ◆Observe the informal, witty setting contrasting sharply with Reynolds's formal portrait practice of the same years.
- ◆Find the visual clues to each sitter's identity — Reynolds's caricatures were readable jokes among the subjects' social circles.
See It In Person
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