Robert Hay Drummond, D. D. Archbishop of York...
Joshua Reynolds·1764
Historical Context
Robert Hay Drummond, Archbishop of York from 1764 at the Saint Louis Art Museum shows Reynolds painting a senior churchman. His ecclesiastical portraits convey the spiritual and temporal authority of the Georgian Church. Reynolds built his portraits using multiple glazed layers over a warm imprimatura, blending Rembrandt's tonal depth with Van Dyck's aristocratic elegance—though his experimental use of bitumen and carmine often caused irreversible darkening.
Technical Analysis
The portrait presents the archbishop with episcopal dignity. Reynolds's handling creates an image of ecclesiastical authority.
Look Closer
- ◆Notice the episcopal vestments or robes: Reynolds carefully rendered the formal dress that identified the Archbishop's ecclesiastical rank.
- ◆Look at the spiritual authority Reynolds projects — the portrait balances the archbishop's religious role with his temporal power in Georgian society.
- ◆Observe the warm palette: Reynolds's Rembrandtesque glazing gives the ecclesiastical portrait the gravitas befitting a senior churchman.
- ◆Find the handling of the face: Reynolds was attentive to the intelligence and authority expected in portraits of high clergy.
See It In Person
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