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Dull Gret by Pieter Brueghel the Elder

Dull Gret

Pieter Brueghel the Elder·1563

Historical Context

Dull Gret (Mad Meg), painted around 1563, depicts a legendary figure from Flemish folklore leading an army of women to storm the mouth of Hell. The painting draws on the tradition of Hieronymus Bosch with its hellish landscape populated by demons and monsters, but Bruegel infuses the scene with his characteristic social commentary. The figure of Mad Meg has been interpreted as a satirical embodiment of female aggression, or more recently as a symbol of resistance against tyranny.

Technical Analysis

The painting fills the canvas with a phantasmagoric vision of hellfire, monsters, and chaotic violence rendered in Bosch-inspired detail. The dramatic red and orange palette of the hellish landscape creates a nightmarish atmosphere that overwhelms the eye.

See It In Person

Museum Mayer van den Bergh

Antwerp, Belgium

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
117.4 × 162 cm
Era
Mannerism
Style
Northern Mannerism
Genre
Landscape
Location
Museum Mayer van den Bergh, Antwerp
View on museum website →

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The Massacre of the Innocents by Pieter Brueghel the Elder

The Massacre of the Innocents

Pieter Brueghel the Elder·1566

The Peasant Wedding by Pieter Brueghel the Elder

The Peasant Wedding

Pieter Brueghel the Elder·1568

The Wedding Dance by Pieter Brueghel the Elder

The Wedding Dance

Pieter Brueghel the Elder·1566

The Peasant and the Nest Robber by Pieter Brueghel the Elder

The Peasant and the Nest Robber

Pieter Brueghel the Elder·1568

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Portrait of Don Juan of Austria by Alonso Sánchez Coello

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Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565