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View in Switzerland by Édouard Vuillard

View in Switzerland

Édouard Vuillard·1900

Historical Context

'View in Switzerland,' painted by Vuillard around 1900, documents one of his infrequent ventures beyond France into the Alpine landscape. Swiss mountain scenery was far removed from Vuillard's habitual territory of Parisian domestic interiors and garden settings, and the work represents his response to a landscape that demanded a different visual approach. The Memphis Brooks Museum of Art holds this unusual landscape departure from one of Post-Impressionism's most committed domesticists—a reminder that even the most focused painters occasionally looked beyond their primary subjects.

Technical Analysis

Vuillard applies his characteristic flat, pattern-conscious brushwork to the Alpine landscape, treating mountain forms and vegetation with the same simplified, surface-aware approach he brought to interiors. The result transposes his Nabi principles onto unfamiliar terrain, making the work an interesting exception in his career.

See It In Person

Memphis Brooks Museum of Art

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Memphis Brooks Museum of Art,
View on museum website →

More by Édouard Vuillard

The Promenade in the Harbour by Édouard Vuillard

The Promenade in the Harbour

Édouard Vuillard·1908

Arthur Fontaine by Édouard Vuillard

Arthur Fontaine

Édouard Vuillard·1901

Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885