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Gouverlo, Portrieux by Paul Signac

Gouverlo, Portrieux

Paul Signac·1888

Historical Context

Gouverlo, Portrieux (1888) was painted at Saint-Quay-Portrieux on the Brittany coast, one of several locations Signac visited in the late 1880s in his regular summer painting campaigns along the French Atlantic coast. By 1888 Signac had fully committed to systematic divisionism in the wake of the 1886 Impressionist exhibition, and these Breton coastal paintings represent his mature early style. The rocky Breton coastline, with its forceful waves and grey stone, offered different chromatic challenges from his later Mediterranean subjects. Hiroshima Museum of Art.

Technical Analysis

Rocky coastal forms are built from systematic dots of cool grey and blue, with warm ochre and orange in the lit surfaces. The dynamic Breton swell introduces more turbulent diagonal movement than Signac's typically calm harbour compositions. The dot-work is fine and consistent, demonstrating full command of systematic technique.

See It In Person

Hiroshima Museum of Art

Hiroshima, Japan

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Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Hiroshima Museum of Art, Hiroshima
View on museum website →

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Pont Mirabeau by Paul Signac

Pont Mirabeau

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Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885