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Arbres by Paul Signac

Arbres

Paul Signac·1896

Historical Context

Arbres (Trees, 1896) shows Signac applying his full Saint-Tropez-period divisionist technique to a close-up study of Mediterranean vegetation. While most of his celebrated work focused on harbours and water, studies of landscape and foliage allowed him to explore how divisionism rendered the complex, broken light filtering through trees. By 1896 Signac was in the most productive phase of his Saint-Tropez years. Fondation Bemberg, Toulouse.

Technical Analysis

Foliage is rendered in interlocking dabs of warm green, yellow, and olive, with cooler blue-greens in the shadowed masses. The fragmented, irregular forms of the tree canopy produce a naturally varied dot-like surface that aligns well with divisionist technique. Sky glimpsed between branches provides vivid blue-orange complementary contrast.

See It In Person

Fondation Bemberg

Toulouse, France

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Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Fondation Bemberg, Toulouse
View on museum website →

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Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885