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Saint Simon by Francisco de Zurbarán

Saint Simon

Francisco de Zurbarán·1633

Historical Context

Saint Simon, from the same 1633 apostle series, is typically depicted with a saw — the instrument of his martyrdom — or a book. Simon the Zealot is one of the less prominent apostles in the New Testament narrative, which gave painters some freedom in establishing his image. Zurbarán's treatment maintains the monumental, devotional character of the whole series, elevating this minor apostle to the same hieratic dignity as the more celebrated figures.

Technical Analysis

Simon stands with his attribute in the characteristic Zurbarán apostle format: isolated against a dark ground, his drapery sculpted by strong light from a single source. The simplicity of the composition focuses all attention on the spiritual presence of the standing figure.

See It In Person

National Museum of Ancient Art

Lisbon, Portugal

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Quick Facts

Medium
Oil on canvas
Era
Baroque
Genre
Religious
Location
National Museum of Ancient Art, Lisbon
View on museum website →

More by Francisco de Zurbarán

The Crucifixion by Francisco de Zurbarán

The Crucifixion

Francisco de Zurbarán·1627

Saint Romanus of Antioch and Saint Barulas by Francisco de Zurbarán

Saint Romanus of Antioch and Saint Barulas

Francisco de Zurbarán·1638

The Young Virgin by Francisco de Zurbarán

The Young Virgin

Francisco de Zurbarán·ca. 1632–33

Saint Benedict by Francisco de Zurbarán

Saint Benedict

Francisco de Zurbarán·ca. 1640–45

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