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An Algerian Lady Hawking by Horace Vernet

An Algerian Lady Hawking

Horace Vernet·1839

Historical Context

Horace Vernet's An Algerian Lady Hawking of 1839 depicts a North African woman engaged in falconry — a sport practiced by Algerian Arab and Berber elites — combining his expertise in equestrian and hunting subjects with the Orientalist material of his Algerian journeys. The painting belongs to his series of Algerian genre works that documented the customs of the French-colonized territory, and it focuses on the leisure activities of the colonized upper class with the same attention Vernet brought to European aristocratic sport. The falconry setting asserts the refinement of Arab culture against colonial stereotypes.

Technical Analysis

Vernet's mastery of equestrian painting combines with careful observation of Algerian costume and falconry equipment. The vivid desert light and precise rendering of the horse and falcon demonstrate his documentary approach to Orientalist subjects.

See It In Person

Wallace Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
60.5 × 49.4 cm
Era
Romanticism
Style
French Romanticism
Genre
Animal
Location
Wallace Collection, London
View on museum website →

More by Horace Vernet

Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

More from the Romanticism Period

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The Fountain at Grottaferrata

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Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836