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The Dog of the Regiment Wounded by Horace Vernet

The Dog of the Regiment Wounded

Horace Vernet·1819

Historical Context

Horace Vernet painted The Dog of the Regiment Wounded in 1819, a sentimental military subject that exemplifies the genre of Napoleonic nostalgia that flourished during the early Restoration. With Napoleon exiled and the Bourbons restored, paintings that honored the courage and sacrifice of the Grande Armée — even through the surrogate of an animal — carried an implicit political charge. Vernet, an ardent Bonapartist, used such subjects to keep the memory of imperial glory alive during a period when overt political commentary was censored.

Technical Analysis

Vernet renders the wounded dog with the same precise observation he applied to his military subjects, capturing the animal's suffering with convincing naturalism. The battlefield setting is painted with characteristic fluency, using a muted palette of earth tones and smoke-filled sky to evoke the aftermath of combat while the central animal figure provides an emotional focus.

See It In Person

Wallace Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
53.1 × 64.3 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Animal
Location
Wallace Collection, London
View on museum website →

More by Horace Vernet

Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

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Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770