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The duc de Nemours Entering Constantine by Horace Vernet

The duc de Nemours Entering Constantine

Horace Vernet·1838

Historical Context

The Duke of Nemours Entering Constantine from 1838 at the Wallace Collection documents the French capture of the Algerian city in 1837. Vernet personally accompanied French campaigns in North Africa to ensure the accuracy of his battle paintings. As a painter deeply committed to visual journalism, Vernet sketched campaigns from direct observation and was renowned for his ability to render horses, soldiers, and battle formations with unmatched clarity and energy.

Technical Analysis

The triumphal entry is rendered with documentary precision and dramatic composition. Vernet's handling captures the moment of military victory with characteristic authority.

See It In Person

Wallace Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
25.5 × 18.4 cm
Era
Romanticism
Style
French Romanticism
Genre
History
Location
Wallace Collection, London
View on museum website →

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Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836