The Resurrection
Anthony van Dyck·1632
Historical Context
The Resurrection (c. 1631-32), in the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, depicts the risen Christ emerging from the tomb in a blaze of divine light while the Roman guards fall back in terror. Van Dyck's mature treatment of the Resurrection combines dramatic composition with luminous color, the figure of Christ radiating the supernatural energy appropriate to the central miracle of Christian faith. The painting dates from the period between Van Dyck's return from Italy and his definitive move to England, when he was producing both religious paintings and portraits in Antwerp. The Wadsworth Atheneum, America's oldest public art museum (founded 1842), acquired this as a significant example of Flemish Baroque religious painting.
Technical Analysis
The composition creates a powerful vertical movement with the radiant Christ ascending above the fallen soldiers. Van Dyck's luminous palette and refined handling create an atmosphere of supernatural radiance.
Look Closer
- ◆Notice the powerful vertical movement with the radiant Christ ascending above fallen Roman soldiers at the Wadsworth Atheneum.
- ◆Look at the luminous palette creating supernatural radiance — the central miracle of Christian faith.
- ◆Observe this work from between Van Dyck's return from Italy and his move to England, at America's oldest public art museum.
