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Quatres parties du monde, Fontaine de l'Observatoire by Jean-Baptiste Carpeaux

Quatres parties du monde, Fontaine de l'Observatoire

Jean-Baptiste Carpeaux·1868

Historical Context

This painting is a preparatory study for Carpeaux's famous 'Fontaine de l'Observatoire,' one of the great public sculptures of Second Empire Paris, commissioned in 1867 and installed in the Luxembourg Gardens in 1874. The sculpture depicted four female figures representing the four continents supporting a celestial sphere; their sensuous, interlocked forms caused significant controversy when installed in public space. The Hood Museum of Art at Dartmouth College holds this painted study, likely made as part of the design process for the commission. Carpeaux's preparatory work for major sculptures often included painted compositions exploring figure arrangements and spatial relationships before committing to bronze. This painted study reveals the intimate connection between his painting and sculptural practice across his career.

Technical Analysis

Oil paint on canvas with the energetic, sketch-like handling characteristic of Carpeaux's preparatory work. The figures are developed with sculptural modeling — volumes and three-dimensional relationships — rather than the surface qualities more typical of pure painting.

Look Closer

  • ◆The four figures are organized in a rotating, interlocked arrangement creating a shifting silhouette in the round.
  • ◆Carpeaux paints sculpturally — the figures are rendered as three-dimensional volumes defined by light like bronze.
  • ◆The sensuous dynamic quality anticipates the controversy the finished fountain sculpture caused in public space.
  • ◆The celestial sphere crowning the composition organizes the swirling figures below it structurally.

See It In Person

Hood Museum of Art

,

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Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Romanticism
Genre
Genre
Location
Hood Museum of Art,
View on museum website →

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Portrait de la duchesse de Cadore. by Jean-Baptiste Carpeaux

Portrait de la duchesse de Cadore.

Jean-Baptiste Carpeaux·c. 1851

Crucifixion by Jean-Baptiste Carpeaux

Crucifixion

Jean-Baptiste Carpeaux·c. 1851

La défaite des Cimbres et des Teutons par Marius by Jean-Baptiste Carpeaux

La défaite des Cimbres et des Teutons par Marius

Jean-Baptiste Carpeaux·1853

More from the Romanticism Period

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The Fountain at Grottaferrata

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Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836