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Capucines by Henri Fantin-Latour

Capucines

Henri Fantin-Latour·1887

Historical Context

Henri Fantin-Latour's nasturtium subjects (Capucines — the French name for nasturtiums) are among his most spirited flower paintings — the orange, red, and yellow flowers more vivid and chromatic than his roses or peonies, their trailing stems and rounded leaves creating distinctive compositional opportunities. Nasturtiums were fashionable cut flowers in the 1880s, their vivid colors providing relief from the more conventional rose and carnation subjects. Fantin-Latour brought his characteristic close observation and subtle modeling to these jewel-toned flowers, finding in their warmth a different coloristic register than his more muted subjects.

Technical Analysis

The nasturtiums' warm chromatic range requires a different palette management than Fantin-Latour's rose paintings — the orange, yellow, and red tones must be differentiated through tonal modulation without losing their essential saturation. His modeling of the rounded petals captures their delicate, almost translucent quality while maintaining their vivid color. The green leaves provide complementary contrast that sets the orange flowers glowing.

See It In Person

Leeds Art Gallery

Leeds, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Impressionism
Style
Impressionism
Genre
Still Life
Location
Leeds Art Gallery, Leeds
View on museum website →

More by Henri Fantin-Latour

Reclining Nude by Henri Fantin-Latour

Reclining Nude

Henri Fantin-Latour·1874

Portrait of Victoria Dubourg by Henri Fantin-Latour

Portrait of Victoria Dubourg

Henri Fantin-Latour·1873

Still Life with Vase of Hawthorn, Bowl of Cherries, Japanese Bowl, and Cup and Sauce by Henri Fantin-Latour

Still Life with Vase of Hawthorn, Bowl of Cherries, Japanese Bowl, and Cup and Sauce

Henri Fantin-Latour·1872

Flowers by Henri Fantin-Latour

Flowers

Henri Fantin-Latour·1876

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