 - Capucines - 1966.7.1 - Leeds Art Gallery.jpg&width=1200)
Capucines
Henri Fantin-Latour·1887
Historical Context
Henri Fantin-Latour's nasturtium subjects (Capucines — the French name for nasturtiums) are among his most spirited flower paintings — the orange, red, and yellow flowers more vivid and chromatic than his roses or peonies, their trailing stems and rounded leaves creating distinctive compositional opportunities. Nasturtiums were fashionable cut flowers in the 1880s, their vivid colors providing relief from the more conventional rose and carnation subjects. Fantin-Latour brought his characteristic close observation and subtle modeling to these jewel-toned flowers, finding in their warmth a different coloristic register than his more muted subjects.
Technical Analysis
The nasturtiums' warm chromatic range requires a different palette management than Fantin-Latour's rose paintings — the orange, yellow, and red tones must be differentiated through tonal modulation without losing their essential saturation. His modeling of the rounded petals captures their delicate, almost translucent quality while maintaining their vivid color. The green leaves provide complementary contrast that sets the orange flowers glowing.





