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Le pont de Waterloo by Claude Monet

Le pont de Waterloo

Claude Monet·1903

Historical Context

Le pont de Waterloo from 1903 at the Lowe Art Museum in Miami shows Monet treating the bridge in cool overcast conditions — one of the many atmospheric variants he explored across the series' dozens of canvases. The Lowe Art Museum, associated with the University of Miami, holds this work as part of its French collection. By 1903 Monet had visited London for the last time (his stays were in 1899, 1900, and 1901) and was completing all his London paintings in his Giverny studio — a creative process very different from the plein-air spontaneity his public assumed.

Technical Analysis

The cool palette of blue-gray and muted green dominates, the stone bridge taking on a soft violet tone in the overcast light. Monet's handling here is more fluid and less dotted than his Seine paintings — the Thames series has a smoother, more atmospheric touch suited to the fog-softened conditions he was depicting.

See It In Person

Lowe Art Museum

Coral Gables, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Lowe Art Museum, Coral Gables
View on museum website →

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Rouen Cathedral by Claude Monet

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Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885