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Abraham Casting Out Hagar and Ishmael by Guercino

Abraham Casting Out Hagar and Ishmael

Guercino·1657

Historical Context

Guercino's Abraham Casting Out Hagar and Ishmael from 1657 depicts the poignant Old Testament moment when Abraham reluctantly sends away his concubine Hagar and their son Ishmael at Sarah's insistence. The subject allowed Guercino to explore conflicting emotions—Abraham's anguish, Sarah's determination, Hagar's despair—within a balanced classical composition. This late work demonstrates the measured, classicizing style he adopted after Guido Reni's death in 1642, when he became Bologna's pre-eminent painter.

Technical Analysis

The figural group is arranged with classical poise, the gestures and expressions conveying the scene's emotional complexity without theatrical excess. Guercino's warm, golden palette and fluid brushwork maintain his characteristic painterly richness within the more restrained framework of his late style.

Look Closer

  • ◆Notice the conflicting emotions — Abraham's anguish, Sarah's determination, Hagar's despair — within a balanced classical composition.
  • ◆Look at the warm, golden palette and fluid brushwork maintaining painterly richness within a restrained 1657 late style framework.
  • ◆Observe the poignant Old Testament moment when Abraham reluctantly sends away his concubine and their son.

See It In Person

Pinacoteca di Brera

Milan, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
115 × 152 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Pinacoteca di Brera, Milan
View on museum website →

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