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Christ healing the Paralytic at the Pool of Bethesda by Bartolomé Esteban Murillo

Christ healing the Paralytic at the Pool of Bethesda

Bartolomé Esteban Murillo·1668

Historical Context

Painted in 1668, Christ Healing the Paralytic at the Pool of Bethesda is now in the National Gallery, London. The large canvas depicts the Gospel of John miracle where Jesus heals a man who has waited thirty-eight years by the healing pool. Murillo sets the scene in a grand architectural space that evokes Roman antiquity, populated with the sick and lame awaiting their turn. The painting was created for the Hospital de la Caridad in Seville, an active charitable institution whose patron Don Miguel de Mañara commissioned a series of works on mercy and healing. Murillo's treatment emphasizes Christ's compassionate humanity amid collective suffering.

Technical Analysis

The pool scene with its varied figures is rendered with Murillo's mature atmospheric technique, the warm light and soft modeling creating a scene of compassionate healing that suited the painting's hospital setting.

Look Closer

  • ◆Notice the grand architectural setting evoking Roman antiquity — Murillo placing the gospel miracle in a historical space that expands its significance.
  • ◆Look at the varied figures of the sick and lame arranged around the pool — a gallery of human affliction awaiting divine attention.
  • ◆Observe Christ's compassionate gesture toward the paralytic — the specific attention of healing amid collective suffering.
  • ◆Find how the hospital setting for which this painting was created is embodied in the subject: mercy for the suffering made the painting's function and content identical.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
237 × 261 cm
Era
Baroque
Style
Spanish Baroque
Genre
Religious
Location
National Gallery, London
View on museum website →

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The Immaculate Conception by Bartolomé Esteban Murillo

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