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The Hammock by Gustave Courbet

The Hammock

Gustave Courbet·1844

Historical Context

Courbet's The Hammock of 1844 depicts a young woman reclining in a hammock in a garden setting, a subject of domestic leisure treated with the outdoor observation and warm coloring that characterizes his early work before the gray-toned realism of his mature Ornans paintings. The painting shows Courbet developing the integration of figure and landscape that would define his later hunting and forest subjects, the woman's relaxed pose and the dappled light creating a study in summer sensory experience. The painting's warmth reflects his engagement with Venetian and Flemish colorist tradition.

Technical Analysis

Courbet renders the dappled forest light with a rich palette of greens and warm flesh tones, using thick impasto to create tactile textures. The intimate scale and natural setting anticipate the plein-air painting of the next generation.

See It In Person

Museum collection Am Römerholz

Winterthur, Switzerland

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
71 × 97 cm
Era
Romanticism
Style
French Romanticism
Genre
Landscape
Location
Museum collection Am Römerholz, Winterthur
View on museum website →

More by Gustave Courbet

Study of a Nude Man by Gustave Courbet

Study of a Nude Man

Gustave Courbet·early 1840s

The Brook of Les Puits-Noir by Gustave Courbet

The Brook of Les Puits-Noir

Gustave Courbet·c. 1855

Woman in a Riding Habit (L'Amazone) by Gustave Courbet

Woman in a Riding Habit (L'Amazone)

Gustave Courbet·ca. 1855–59

The Painter's Studio by Gustave Courbet

The Painter's Studio

Gustave Courbet·1850

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836