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Last Miracle and the Death of Saint Zenobius by Sandro Botticelli

Last Miracle and the Death of Saint Zenobius

Sandro Botticelli·1500

Historical Context

The Last Miracle and the Death of Saint Zenobius from circa 1500 at Dresden is part of a series depicting the life of Florence's patron bishop, painted in Botticelli's final period. Zenobius, Bishop of Florence in the late fourth and early fifth centuries, had performed numerous miracles including the famous restoration of a dead child to life. The series—typically four panels—narrated his miracles and death with the intimate narrative format and late-period emotional gravity that characterized Botticelli's final work. The Zenobius series had particular significance for Florentine civic identity, the saint's patronage of the city connecting Botticelli's religious content to local pride in ways that would have resonated with his Florentine patrons even in the troubled 1490s.

Technical Analysis

The narrative panels are rendered with the angular, expressive drawing of Botticelli's late style, the miraculous events and the saint's death depicted with an emotional intensity that marks the final phase of his artistic development.

See It In Person

Staatliche Kunstsammlungen Dresden

Dresden, Germany

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Quick Facts

Medium
Tempera
Dimensions
66 × 182 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Staatliche Kunstsammlungen Dresden, Dresden
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Virgin and Child with the Young Saint John the Baptist by Sandro Botticelli

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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