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Port-en-Bessin. 14th July by Paul Signac

Port-en-Bessin. 14th July

Paul Signac·1884

Historical Context

Port-en-Bessin, 14th July (1884) depicts the Norman fishing harbour decorated for Bastille Day celebrations, with flags and bunting strung along the quays. Painted in 1884, before Signac had fully adopted systematic divisionism, it represents one of his last works in a transitional style influenced by Impressionism. The national holiday subject — the 14th of July — brings a patriotic and festive dimension to a subject he would later paint again with fully divisionist technique. Moderne Galerie, Saarland Museum.

Technical Analysis

The pre-divisionist handling is visible in the varied, expressive brushwork used to capture the flags and their reflections in the harbour. The palette is naturalistic and relatively muted compared to his mature Mediterranean work. Festive colours — red, white, blue — provide chromatic accents within the overall tonal composition.

See It In Person

Moderne Galerie of Saarland Museum

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Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Moderne Galerie of Saarland Museum,
View on museum website →

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Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

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