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Venus and Mars by Paolo Veronese

Venus and Mars

Paolo Veronese·1570

Historical Context

Veronese painted Venus and Mars during the 1570s, a decade that saw him at the height of his powers as Venice's most brilliant colorist. The subject of the love goddess disarming the god of war carried both mythological and political resonance in a Republic that celebrated its own combination of beauty and martial strength. Veronese transforms the classical theme into a characteristically opulent Venetian spectacle, with rich fabrics and architectural settings that rival the grandest palazzi.

Technical Analysis

Brilliant passages of color in the silk drapery demonstrate Veronese's unmatched ability to render luxury textiles. The composition's diagonal thrust and the horse's dramatic foreshortening create dynamic movement within a carefully balanced arrangement.

Look Closer

  • ◆Notice the brilliant passages of color in the silk drapery, demonstrating Veronese's unmatched ability to render luxury textiles.
  • ◆Look at the composition's diagonal thrust and the horse's dramatic foreshortening creating dynamic movement within a carefully balanced arrangement.
  • ◆Observe how the love goddess disarming the god of war carried both mythological and political resonance in Venice, which celebrated its own combination of beauty and martial strength.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
205.7 × 161 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Metropolitan Museum of Art, New York
View on museum website →

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The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

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