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The Death of Hyacinth by Giovanni Battista Tiepolo

The Death of Hyacinth

Giovanni Battista Tiepolo·1753

Historical Context

The Death of Hyacinth — the beautiful youth accidentally killed by Apollo's discus — was one of the most emotionally charged subjects in Ovidian mythology. Tiepolo's 1753 version captures the moment of grief as the god kneels over his dying beloved, a scene that allowed the painter to explore male beauty, divine sorrow, and the transformative power of death. The hyacinth flower that would spring from the youth's blood symbolizes art's ability to redeem loss through beauty.

Technical Analysis

Pale, death-lit flesh of the falling Hyacinth contrasts with Apollo's warm, living skin, dramatizing the boundary between life and death. The expansive sky and minimal landscape setting focus attention entirely on the emotional exchange between the two figures.

Look Closer

  • ◆Notice the pale, death-lit flesh of the falling Hyacinth contrasting with Apollo's warm, living skin, dramatizing the boundary between life and death.
  • ◆Look at the expansive sky and minimal landscape setting that focus attention entirely on the emotional exchange between god and dying youth.
  • ◆Observe the hyacinth flower that will spring from the youth's blood — art's ability to redeem loss through beauty.

See It In Person

Thyssen-Bornemisza Museum

Madrid, Spain

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
287 × 232 cm
Era
Rococo
Style
Venetian Rococo
Genre
Mythology
Location
Thyssen-Bornemisza Museum, Madrid
View on museum website →

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Armida Encounters the Sleeping Rinaldo by Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and the Magus of Ascalon by Giovanni Battista Tiepolo

Rinaldo and the Magus of Ascalon

Giovanni Battista Tiepolo·c. 1742–45

Armida Abandoned by Rinaldo by Giovanni Battista Tiepolo

Armida Abandoned by Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and Armida in Her Garden by Giovanni Battista Tiepolo

Rinaldo and Armida in Her Garden

Giovanni Battista Tiepolo·c. 1742–45

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700