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Portrait Charlotte Berend in a white Dress by Lovis Corinth

Portrait Charlotte Berend in a white Dress

Lovis Corinth·1902

Historical Context

Portrait Charlotte Berend in a White Dress, painted in 1902, depicts the woman who became Lovis Corinth's wife the following year. Charlotte Berend was herself a painter and a student of Corinth's, and their relationship — teacher and student turned life partners — produced a remarkable body of portraiture. Corinth's portraits of Charlotte from this period are among his finest works: technically assured, psychologically penetrating, and charged with the energy of a man deeply engaged with his subject. The Stiftung Stadtmuseum Berlin holds this early portrait as an important document of their relationship.

Technical Analysis

Corinth handles the white dress with bravura — thick impasto strokes building fabric texture and light simultaneously. The palette contrasts the brightness of the dress with warmer flesh tones and a darker, loosely painted background. Brushwork is vigorous and confident throughout.

See It In Person

Stiftung Stadtmuseum Berlin

Berlin,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Stiftung Stadtmuseum Berlin, Berlin
View on museum website →

More by Lovis Corinth

In the fisherman's house by Lovis Corinth

In the fisherman's house

Lovis Corinth·1886

Portrait of Mr. Lilienthal by Lovis Corinth

Portrait of Mr. Lilienthal

Lovis Corinth·1889

Nude Girl by Lovis Corinth

Nude Girl

Lovis Corinth·1886

Anny Schaumberg with a doll by Lovis Corinth

Anny Schaumberg with a doll

Lovis Corinth·1886

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885