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Sculptors at Work, Tomb of Rekhmire by Nina M. Davies

Sculptors at Work, Tomb of Rekhmire

Nina M. Davies·1479

Historical Context

The sculptors' workshop scene in the Rekhmire tomb is one of the most detailed representations of Egyptian artistic production surviving from antiquity — showing craftsmen at various stages of carving, polishing, and finishing stone sculptures including sphinx figures and standing royal statues. Nina Davies's copy of this scene is consequently one of her most art-historically significant facsimiles, preserving visual evidence about the organization of Egyptian sculpture workshops and the technical processes involved in producing the monumental art of the New Kingdom. The scene's unusual combination of documentary specificity and artistic self-reference makes it exceptional in the tomb painting tradition.

Technical Analysis

The sculptors' workshop scene's complex spatial organization — multiple craftsmen at different tasks arranged across registers — required Davies to maintain the precise relative positions and scale relationships of the original while translating its condition into legible watercolor reproduction. Her handling of the stone surfaces and metallic tools shows particular care.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Cityscape
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Nina M. Davies

Menna and Family Hunting in the Marshes, Tomb of Menna by Nina M. Davies

Menna and Family Hunting in the Marshes, Tomb of Menna

Nina M. Davies·1400

Osiris and the Four Sons of Horus by Nina M. Davies

Osiris and the Four Sons of Horus

Nina M. Davies·1400

Wood and Leather Craftsmen, Tomb of Hapu by Nina M. Davies

Wood and Leather Craftsmen, Tomb of Hapu

Nina M. Davies·1400

Military Musicians Showing Nubian and Egyptian Styles by Nina M. Davies

Military Musicians Showing Nubian and Egyptian Styles

Nina M. Davies·1400

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