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Berlin street scene with horse-drawn cabs by Lesser Ury

Berlin street scene with horse-drawn cabs

Lesser Ury·1910

Historical Context

Berlin Street Scene with Horse-Drawn Cabs, painted in 1910, belongs to a transitional moment in Berlin's urban history when horse-drawn transport and motor vehicles coexisted in the city's streets. The first motorised taxis had appeared in Berlin around 1907, and by 1910 they were becoming a visible presence on the major boulevards even as horse-drawn Droschken continued to operate. Ury's attention to the horse-drawn cab in this and multiple other canvases across his career amounts to a sustained visual elegy for a specific form of urban life he had known since his arrival in Berlin in the 1880s. The 1910 date makes this one of his last paintings in which horse-drawn transport is the dominant rather than occasional element in a Berlin street composition. Ury's ability to extract the maximum optical interest from a conventional and even disappearing subject — the rain-wet street, the glinting cab lamp, the horse's wet coat — reflects his insistence on the photographic subject being secondary to the optical problem it presents.

Technical Analysis

The 1910 handling shows Ury at his mature peak: the horse-drawn cab provides a solid compositional anchor while the surrounding wet street dissolves into reflection. He distinguishes multiple types of reflected light — cab lamp reflections, shop window light, diffuse sky reflection — with the specificity of long practice. The horses are handled with appreciation for the specific optical properties of a large wet animal: matte coat surface absorbing light differently from the glossy carriage.

Look Closer

  • ◆The 1910 date places this scene at the transition point when motor taxis were beginning to appear alongside horse-drawn cabs on Berlin's major streets.
  • ◆Ury distinguishes the different reflective surfaces visible in a single street scene — polished carriage lacquer, wet horse coat, rain-wet cobblestones — with technical precision.
  • ◆Cab lamps produce the warmest, most focused light sources in the composition, their amber glow the dominant colour accent against the cool wet-street grey.
  • ◆The composition demonstrates the sustained visual intelligence Ury brought to a subject that could easily have become repetitive across his decades of Berlin street painting.

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Quick Facts

Medium
canvas
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Era
Impressionism
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