The barouche

The Barouche from 1836 at the Musee Nissim de Camondo shows a fashionable carriage scene. Vernet's depictions of contemporary life extended beyond military subjects to the social spectacles of Parisian society. Vernet's position as the official painter of the July Monarchy and later Second Empire gave him unparalleled access to military subjects, and his technique combined careful documentation with dramatic compositional flair. Horace Vernet, born into the most distinguished artistic dynasty in France and trained in the finest academic tradition, was the most commercially successful French painter of the first half of the nineteenth century. His military paintings, portraits, Oriental subjects, and biblical scenes were in continuous demand from the most powerful patrons in Europe, including King Louis-Philippe of France and Tsar Nicholas I of Russia. His enormous output — he was famous for the speed of his production — combined the technical facility inherited from three generations of painter ancestors with the Romantic sensibility and historical curiosity that defined the French art of his era.

The carriage scene is rendered with characteristic precision and elegant composition. Vernet's handling of the horses and fashionable equipage creates a vivid social vignette.